Cork models

Roundtemple, Tivoli (2)

D. Cöllen, Forum Triangolare

D. Cöllen, Kapitolstempel 2008 (33)

Cork, not the county but the bark from the Cork Oak, always suggests to me the extremes of youth and age.  Youth, because of cork’s elasticity and flexibility; age, because of the way, especially in its untreated form, it looks dry and wrinkled.

When my friend Dieter Collen was searching for a material to build architectural models, his research brought him back to the 18th century, when souvenirs of ancient roman architecture were made of cork (Cork Oak  is grown all around the Mediterranean but particularly in Portugal and Spain). The souvenirs in the 1700s were bought up by wealthy English aristocrats who brought them home and set them down as centerpieces on their dining room tables.  And so a starting point for reminiscences about travels to the Mediterranean, along with tales of Amaretto and ancient civilizations.

Dieter has revived this forgotten craftsmanship, and his models have become not merely talking points for architects but art pieces by themselves. Each piece is made to scale, precisely following dimensions and accuracy of the ancient buildings, temple ruins, bridges or towers. But at the same time he elicits sentimental nuances form the tactile natural look of cork. If you look closely at his model of the Coliseum, you can actually hear the roaring crowd as the gladiators and the lions stalk each other. Each of his pieces conveys its signature ambiance.  And so if you lean close to the Great pyramid of Cheops you can hear Napoleon coming out of the Great Tomb trying to tell all of his astronomers, artists and astrologers, about his mystical experience. “No, what’s the use,” he reportedly said. “You would never believe me.”

My questions to Dieter:

In what era of history would you live if you could choose?
In the 4th dynasty (2500 BC) in Egypt as an architect for gardens and irrigation.

Where would you go if you had to leave right tonight to an unexpected vacation?
To our house in France near Cahors, having picnic with friends on the banks of the Lot.

What was the last great architectural object you saw, that makes you want to build the model of?    The destroyed Buddha statues of Bamian / Afghanistan, helping to rebuild this treasure as a symbol against stupidity of men.

Who inspires you the most?
Antonio Chichi, the Italian master of cork modeling in the 18th century.

Your favorite building of all the times?
The great Pyramid, because it is the only human construction where 25 000 people worked over 20 years together to reach at last one point at its top which was seen as the connection to universe.

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